For example, if the image was shot under tungsten conditions, set the value between 2,500 and 2,900 degrees kelvin to white balance it. Drag the slider to the right for yellow-red tones. Drag the slider to the left for blue tones. Color temperature describes the color value of light when the image was shot (not the light’s heat value). Temperature: Adjust the color temperature, in degrees kelvin, so that the image looks as natural as possible. The Help files for Final Cut Pro X 10.4 state: NOTE: Apple’s Help files describe Mix as a way to: “Set the amount of the original image to be blended with the color- corrected image.” Most of the time – in fact, in my personal experience, all the time – you’ll want this set to 100%, which means that 100% of the color change is applied to the clip. However, by decreasing this percentage, you can decrease the amount of the color correction applied to a clip. The Mix control determines what percentage of a color correction setting is applied to a clip. This Mix setting is available for the Color Wheels, Curves, and Hue/Sat Curves, but not the Color Board. NOTE: The screen shot above is a composite created in Photoshop, we can’t actually move the numeric controls up next to the color wheel. Brightness actually refers to the luminance setting of a clip. Modifying these settings numerically, you can alter the color of a clip the same as if you were dragging an interface control within a specific color wheel. This allows you to enter precise values – say to match shots between projects – without dragging a slider. The four groups of settings – Master, Shadows, Midtones, and Highlights – display in numbers the settings of each of the color wheels above it. NOTE: As with all controls, the small “hooky-arrow” on the right is the reset control to return all settings to their default.
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